Why Being a Hip-Hop Producer Sucks

Look no further than 50 Cent’s new LP.

Paul Cantor

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After what seemed like an endless stream of promotional hype, 50 Cent’s Animal Ambition, finally hit stores and streaming outlets yesterday (June 3). His fifth official studio record, it comes almost a full five years after his last LP was released, and if it sounds a little dated, that’s probably because it is.

In a series of interviews at XXLMag.com, the producers who worked on the album described what went into making each song. The overarching theme was that very few of them knew what was going on with the project until it was actually time for it to be released. Over the course of five years, one of the producers had given up on making records altogether.

According to the interviews, Charli Brown Beatz made the track for “Don’t Worry Bout It” in 2008, sent it to 50 in 2009, and didn’t hear the song until it was on the radio in March. Another producer, Frank Dukes, who made the track for “Hold On,” had sent over the instrumental five years ago, and wasn’t aware of the song’s existence until 8-9 months ago. Steve Alien’s beat for “Everytime I Come Around” is also roughly five-years-old.; so old, in fact, that by the time 50's label came calling he had ditched beatmaking, and couldn’t even find the files.

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Paul Cantor

Wrote for the New York Times, New York Magazine, Esquire, Rolling Stone, Vice, Fader, Vibe, XXL, MTV News, many other places.